نوع مقاله : علمی-پژوهشی
نویسنده
دانشیار دانشکدۀ حقوق و علوم سیاسی دانشگاه علامه طباطبائی، تهران، ایران
چکیده
هنر، اغلب روایت است و نقاش نیز چون دیگر هنرمندان، عموماً روایتی را به تصویر میکشد که بر وی گذشته است یا خود بر آن گذر دارد. با این حال، محصول کار نقاش، چونان هر اثر هنری دیگر، تولید کالای فرهنگی محسوب میشود و خلق نقاشی به معنای ورود آن به عالمی است که حقوق، نقشی جدی در تنظیم روابط بازیگران و حکومت بر مراودات میان عناصر و پدیده های مختلف آن ایفا می کند. موضوع این پژوهش محدودیت های وارد بر گسترۀ آزادی بیان هنری نقاش در سپهر حقوق بین الملل بشر است. تأملی کوتاه در نظریه و رویۀ کمیته و دیوان اروپایی حقوق بشر، مؤید عدم همگامی رویکردهای نظری و عملی در تثبیت رویۀ قضایی متحدالشکلی در آزادی بیان هنری نقاش در نظام بین المللی حقوق بشر است، به نحوی که منصرف از ماحصل تلاش نقاش به عنوان امر هنری یا غیرهنری، از یک سو، امنیت ملی، اخلاق حسنه و حتی ملاحظات سیاسی به تفاسیر مضیق یا موسع از آزادی بیان هنری در رویه انجامیده است و از سوی دیگر همچنان باب توسل به اصول تفسیر در نظام بین المللی حقوق بشر در تفسیر حدود و ثغور آزادی هنری نقاش مفتوح است.
کلیدواژهها
- آزادی بیان هنری
- حقوق بین الملل بشر
- دیوان اروپایی حقوق بشر
- کمیتۀ حقوق بشر
- معنای امر هنری
موضوعات
عنوان مقاله [English]
Legal Reflection on Artisic Expression: Exploring the Boundaries of Artistic Expression in Painting within the International Human Rights Framework
نویسنده [English]
- Aramesh Shahbazi
Assistant Prof., Department of Public Law and International Law, Faculty of Law and Political Science, Allame Tabataba’i University, Tehran, Iran
چکیده [English]
Artistic expression serves as a form of storytelling, with painters, like other artists, conveying narratives that have influenced them or narratives they themselves have created. However, a painting, along with any other artwork, is regarded as a cultural product. This research aims to address the question: What are the limitations on a painter's freedom of artistic expression within the realm of international human rights? Through examining both theoretical perspectives and the practices of the European Court of Human Rights and the Human Rights Committee, it becomes evident that there is a lack of synchronicity between theoretical and practical approaches in establishing a consistent judicial procedure regarding a painter's freedom of artistic expression within the international human rights system. Consequently, the interpretation and application of the freedom of artistic expression have been influenced by factors such as national security, moral standards, and even political considerations, irrespective of whether the artistic work is deemed artistic or non-artistic. Moreover, the interpretation of the limits and gaps in an artist's artistic freedom remains an ongoing topic within the international human rights system, highlighting the importance of resorting to interpretive principles.
کلیدواژهها [English]
- Freedom of artistic expression
- international human rights
- art interpretation
- Human Rights Committee
- European Court of Human Rights.
- فارسی
- مقالات
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