نوع مقاله : علمی-پژوهشی
نویسنده
دانشیار دانشکدۀ حقوق و علوم سیاسی دانشگاه علامه طباطبائی، تهران، ایران
چکیده
هنر، اغلب روایت است و نقاش نیز چون دیگر هنرمندان، عموماً روایتی را به تصویر میکشد که بر وی گذشته است یا خود بر آن گذر دارد. با این حال، محصول کار نقاش، چونان هر اثر هنری دیگر، تولید کالای فرهنگی محسوب میشود و خلق نقاشی به معنای ورود آن به عالمی است که حقوق، نقشی جدی در تنظیم روابط بازیگران و حکومت بر مراودات میان عناصر و پدیده های مختلف آن ایفا می کند. موضوع این پژوهش محدودیت های وارد بر گسترۀ آزادی بیان هنری نقاش در سپهر حقوق بین الملل بشر است. تأملی کوتاه در نظریه و رویۀ کمیته و دیوان اروپایی حقوق بشر، مؤید عدم همگامی رویکردهای نظری و عملی در تثبیت رویۀ قضایی متحدالشکلی در آزادی بیان هنری نقاش در نظام بین المللی حقوق بشر است، به نحوی که منصرف از ماحصل تلاش نقاش به عنوان امر هنری یا غیرهنری، از یک سو، امنیت ملی، اخلاق حسنه و حتی ملاحظات سیاسی به تفاسیر مضیق یا موسع از آزادی بیان هنری در رویه انجامیده است و از سوی دیگر همچنان باب توسل به اصول تفسیر در نظام بین المللی حقوق بشر در تفسیر حدود و ثغور آزادی هنری نقاش مفتوح است.
کلیدواژهها
- آزادی بیان هنری
- حقوق بین الملل بشر
- دیوان اروپایی حقوق بشر
- کمیتۀ حقوق بشر
- معنای امر هنری
موضوعات
عنوان مقاله [English]
Legal Reflection on Artisic Expression: Artistic Freedom of Expression in Painting within the Framework of the International Human Rights System
نویسنده [English]
- Aramesh Shahbazi
Associate Prof., Department of Public Law and International Law, Faculty of Law and Political Science, Allame Tabataba’i University, Tehran, Iran
چکیده [English]
Art is often a narrative, and a painter, like other artists, generally depicts a story that has passed through them or that they have experienced. Nevertheless, the product of a painter's work, like any other artistic creation, is considered a cultural commodity, and the creation of a painting signifies its entry into a realm where laws play a serious role in regulating the relationships among actors and governing the interactions between various elements and phenomena. The subject of this research is the limitations imposed on the scope of artistic freedom of expression for painters within the domain of international human rights law. A brief reflection on the theories and practices of the European Human Rights Committee and Court indicates a lack of alignment between theoretical and practical approaches in establishing a uniform judicial precedent regarding artistic freedom of expression for painters in the international human rights system. This situation leads to a narrow or broad interpretation of artistic freedom, influenced by national security, public morals, and even political considerations, regardless of the artistic or non-artistic nature of the painter's efforts. On the other hand, the door remains open for the application of interpretative principles in the international human rights system to define the limits and boundaries of artistic freedom for painters.
کلیدواژهها [English]
- freedom of artistic expression
- international human rights
- art interpretation
- Human Rights Committee
- European Court of Human Rights
- فارسی
- مقالات
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